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Dec 21, 2012
12/12
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s oscar wildee once said life imitates art far more than art imitates life. for writer and director judd apatow his life and art have become practically one and the same. he explored the universal themes of sex, love and death. using humor and personal experience, and often his own family in the films. here is a look. >> what a-- that guy robyn is marrying is such a good guy. >> he sounds like a good guy. >> oh, i hated himor like two years because he-- on me but oh, he's really changed now. he's a really good guy now. he's -- >> looked like your computer has chicken pox. >> those are sex offenders. these people live in our neighborhood. >> well, skip their houses when we are trick or treeingt. what dow want me to did, form a pose. i got my lynching rope. >> you shouldn't take it so lightly. >> i don't take it lightly. >> you know, i'm not going go to these people's house and say hey, can you baby-sit. >> if i didn't care about these things, you wouldn't care about anything. >> why dow care, you just met him. >> shut up. >> you shut up. >> guy, guise, george
s oscar wildee once said life imitates art far more than art imitates life. for writer and director judd apatow his life and art have become practically one and the same. he explored the universal themes of sex, love and death. using humor and personal experience, and often his own family in the films. here is a look. >> what a-- that guy robyn is marrying is such a good guy. >> he sounds like a good guy. >> oh, i hated himor like two years because he-- on me but oh, he's...
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Dec 19, 2012
12/12
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captioning sponsored by rose communications captioned by media access group at wgbh access.wgbh.org s, tavis: good evening. from los angeles, i am tavis smiley. tonight, a conversation with a grammy-winning jazz artist marcus miller. the producer made a name for himself when he produced one of miles davis seminal albums. he went on to great success including a grammy for best contemporary jazz album. he has a new project called renaissance. his interpretation of the jackson five classic, i'll be there. here is the song detroit. our conversation
captioning sponsored by rose communications captioned by media access group at wgbh access.wgbh.org s, tavis: good evening. from los angeles, i am tavis smiley. tonight, a conversation with a grammy-winning jazz artist marcus miller. the producer made a name for himself when he produced one of miles davis seminal albums. he went on to great success including a grammy for best contemporary jazz album. he has a new project called renaissance. his interpretation of the jackson five classic, i'll...
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Dec 17, 2012
12/12
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s bob johnson. all that, and more, on this edition of "the truth about money."
s bob johnson. all that, and more, on this edition of "the truth about money."
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Dec 25, 2012
12/12
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it was-- going back to how to translate the musical on to film, to me what i was trying to protect s what makes it emotional. and when you lip sync to playback even if you do it brilliantly there is a falsity, an artificial y'allity which the audience have to reforgive during a movie. so even the great movie muse calls, you forgive it. in a light or comedic musical this is fine but in something about such raw emotions i didn't want the audience to be forgiving the actors during this. and secondly, you know, if you do it live, and we did it live with a live piano accompaniment, so not only is the singing live, but the tempo is being decided live by the actors, you give the power back to the actors. the actors can be completely in the moment. they can take a pause to allow a thought or a feeling to form in the eyes before they express it, if they start to cry, you know, the crack in the voice can be followed through the song. even if something as simple as when you begin a song. in our set, they could just turn over and roll, they could just sit there until they're absolutely ready to
it was-- going back to how to translate the musical on to film, to me what i was trying to protect s what makes it emotional. and when you lip sync to playback even if you do it brilliantly there is a falsity, an artificial y'allity which the audience have to reforgive during a movie. so even the great movie muse calls, you forgive it. in a light or comedic musical this is fine but in something about such raw emotions i didn't want the audience to be forgiving the actors during this. and...
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Dec 28, 2012
12/12
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. >> rose: and do you still spend -- people who cook always say to me the cooking the s better. the fresher the vegetables, the better. >> absolutely. >> rose: the better the product, the better result. >> there is no question about it but we do exaggerate in america all the time so now we are locavores, we have to eat local food and i would get totally crazy with an organic food where i've been to a restaurant where they practically introduce you to the carrot. that carrot was born on the seventh of may, her name is hilda. it can get exaggerated, too. >> rose: you use less butter? >> yes, much less. >> rose: and more olive oil? >> yes, more olive oil and even other type of oil. >> rose: is olive oil good for you? >> yes. >> rose: but butter is not. >> everything is good for you. it depends on the proportion. >> rose: and we should eat less, shouldn't we? >> i could lose a few pounds. >> rose: i could eat less news. i think that's the quito being able to say this is enough and americans especially. >> rose: i worked for howard johnson years ago for ten years and i remember at th
. >> rose: and do you still spend -- people who cook always say to me the cooking the s better. the fresher the vegetables, the better. >> absolutely. >> rose: the better the product, the better result. >> there is no question about it but we do exaggerate in america all the time so now we are locavores, we have to eat local food and i would get totally crazy with an organic food where i've been to a restaurant where they practically introduce you to the carrot. that...
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Dec 29, 2012
12/12
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what he was or she, what he was thinking at the moment s it getting to what might have been at the moment that that note was taken from this head and this heart and put there on that page? >> you start to think from that point. but at the send, remember that you are recreating. you are recreating, so sometimes let's put the example of the beethoven. beethoven is a kpotser very difficult to approach because you have let's say rules in david tobin music. you have to use a small orchestra. you have a very special kind of sound to approach. but at the end there is subjective because i'm sure that beethoven at his time, he had an organize tra, of 150 musicians. for him, you know, i can't imagine. it's a letter by mozart saying to his father, father, i am so happy because i have an organize tra of 40 violins. i have 8 flutes. i have 14 double bases. and when you play mozart and approach mozart, awe approach its with a small organize tra. you know how subjective is that. how he was happy. and how sometimes you, you try to be oh my god, no, i cannot go like that because this will not stop. i know
what he was or she, what he was thinking at the moment s it getting to what might have been at the moment that that note was taken from this head and this heart and put there on that page? >> you start to think from that point. but at the send, remember that you are recreating. you are recreating, so sometimes let's put the example of the beethoven. beethoven is a kpotser very difficult to approach because you have let's say rules in david tobin music. you have to use a small orchestra....
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Dec 26, 2012
12/12
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really in many ways the secrets or the magic of dicken s is that he has this grounding in deep naturalistic knowledge. if he's writing about london you know every brick in the street. you know every crack in the sidewalk. then he grafts into this very carefully observed reality these elements which we would now saul surrealism. i mean like the government department that exists to do nothing, a court case that never ends, that's something that you might find. the dust heaps in our mutual friend. the city dwarfed by its own garbage. you have these larger than life surrealistic images which are powerful because they're grafted on to the real world. because they grow out of the real world they gain power. they don't become just whimsical. >> charlie: are you agreeing with that, simon? >> oh, god, life. there's something hall use nation about dickens' prose. sometimes you ask yourself what's this guy on? there's a wonderful passage in the christmas carol where he says of majerle's former house. it was up a yard which it had so little business to be in that you couldn't help fancying that it migh
really in many ways the secrets or the magic of dicken s is that he has this grounding in deep naturalistic knowledge. if he's writing about london you know every brick in the street. you know every crack in the sidewalk. then he grafts into this very carefully observed reality these elements which we would now saul surrealism. i mean like the government department that exists to do nothing, a court case that never ends, that's something that you might find. the dust heaps in our mutual friend....
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Dec 24, 2012
12/12
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s are fantastic. one of the things about his movies that's actually very interesting is his movies are also quite violent for the day. in fact, in retrospect the people who kind of like those wrnz refer to him as the peckenpaw of the 40sand 50s. he was never quite as violent but it was rough stuff. >> rose: what don't you like about john ford and george stevens and those-- >> george steve tens only did one western. >> rose: what "giants?" >> a more than day western purpose western-esque. it's a soap opera. "dynasty." but i can't stand john ford gli know you can't and i'm trying to find out why. >> one, i think he was a racist ( bleep ). he wor a klan uniform ride of in "birth of a nation." he's one of the klan riders. let's look at john ford and billiam wendy. ford started his career wearing a klan robe. whitney directed the dramatics singing, "what you see is what you get." i know what side i'm on. ( laughter ) >> rose: so the movie here, tell me what it's about in a sense. not what happened in the m
s are fantastic. one of the things about his movies that's actually very interesting is his movies are also quite violent for the day. in fact, in retrospect the people who kind of like those wrnz refer to him as the peckenpaw of the 40sand 50s. he was never quite as violent but it was rough stuff. >> rose: what don't you like about john ford and george stevens and those-- >> george steve tens only did one western. >> rose: what "giants?" >> a more than day...
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Dec 12, 2012
12/12
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and for carson, is stuffy old traditionalist he s all he wants to do is get two footmen in attendance at the dining table, he wants to get the staff levels back up to normal and have things go back to the way they were. >> rose: yes. >> grantham. >> rolls with the pumps and tried tries to make contain her even keel despite all of the crap her english family dump upon her. (laughter.) >> she does represent a certain class of american women at that time, who moved to english. >> are you surprised at the success of this? when you first read, did you think, oh, man i have to get in here because this is going to be great. >> i certainly felt, man who knows whether any project is going to -- >> it was a proper page turner by the end of the first episode, one that had been introduced to whatever it is 18 characters, very vividly and i think that fascination that i had upon reading it got translated on the screen and they want to know what happens next to those characters. >> rose: laid against the canvas of society. >> absolutely, well. >> and what is going on in the world. >> well, that's r
and for carson, is stuffy old traditionalist he s all he wants to do is get two footmen in attendance at the dining table, he wants to get the staff levels back up to normal and have things go back to the way they were. >> rose: yes. >> grantham. >> rolls with the pumps and tried tries to make contain her even keel despite all of the crap her english family dump upon her. (laughter.) >> she does represent a certain class of american women at that time, who moved to...
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Dec 8, 2012
12/12
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s of three small businesses hiring right now. what they do and why they're looking for help. >> susie: and house speaker boehner accuses president obama of wasting another week in the fiscal cliff negotiations. >> tom: that and more tonight on
s of three small businesses hiring right now. what they do and why they're looking for help. >> susie: and house speaker boehner accuses president obama of wasting another week in the fiscal cliff negotiations. >> tom: that and more tonight on
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Dec 27, 2012
12/12
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. >> rose: the newspaper "the guardian"'s jonathan jones writes that the whole of recent british art is a footnote to damien hirst's brilliance. he emerged for the first time more than 20 years ago as one of the young british artists. their work came to define the contemporary art scene of the 1990s. since then he has shocked and challenged and thrilled audiences with his work's bold themes and ironic wit. these new exhibitions "complete spot paintings, 1986 to 2012" features more than 300 paintings from his famed spot series. it will take place simultaneously across all of ga gojian galleries in new york, london, paris, london, roam, athens, geneva and hong kong. here's damien hirst speaking about the exhibit as it was being installed earlier this week. >> in any one painting, no two colors are the same. the first painting i did, i did a black spot on it then i never did a black again. i only used colors. and this the gaps between the spots is equal to the spot size so that goes throughout. and so i want to create random but random is a very complicated thing. i remember having an a
. >> rose: the newspaper "the guardian"'s jonathan jones writes that the whole of recent british art is a footnote to damien hirst's brilliance. he emerged for the first time more than 20 years ago as one of the young british artists. their work came to define the contemporary art scene of the 1990s. since then he has shocked and challenged and thrilled audiences with his work's bold themes and ironic wit. these new exhibitions "complete spot paintings, 1986 to 2012"...
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Dec 19, 2012
12/12
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. >> generally a scene last twos pages, s so good will hunting as well with this there are a lot of five, six page scenes just because, i don't know, maybe, you know, i overwrite things or, you know, but so i think one of the reasons the dialogue often goes really fast is that is me going like let's go, let's go, let's go. this scene is four pages too long. >> rose: yeah. >> but also it is a reflection of the intelligence of the characters and it is fun to watch characters who are moving, whose mind are going quickly. >> rose: yes, it is, the it is stunt writing from the best people, you see it in the best movies somehow. like sorkin have the wildfire delivery that make the difference. when you guys finish that, did you know, have any idea what impact it would have? >> when we finished goodwill hunting? >> rose: yeah did you know it was so good like manager good is going to come out of it? >> we didn't have much to compare it to. we knew we like it and we felt each scene went exactly the way we wanted it to go. that's the way we felt on this. at the end of each day, gus would upload the
. >> generally a scene last twos pages, s so good will hunting as well with this there are a lot of five, six page scenes just because, i don't know, maybe, you know, i overwrite things or, you know, but so i think one of the reasons the dialogue often goes really fast is that is me going like let's go, let's go, let's go. this scene is four pages too long. >> rose: yeah. >> but also it is a reflection of the intelligence of the characters and it is fun to watch characters who...
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Dec 11, 2012
12/12
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s relationship in china is good. we've been a good investor for a long time. we've taken a lot of heat here in new york city and washington, d.c. because we've stood tall as good, honest partner with the chinese. but what's also incumbent on you is when you've earned that position occasionally you have to speak up. and i did. >> rose: as you know, when you speak up about china people also say "look at general electric, this great american company. they're exporting jobs as well." >> we have jobs all over the world, right? so we are the second-biggest exporter behind boeing. we're a net exporter in every other country in the world. but we will sell more gas turbines -- we have a 50% market share of the large gas turbine market. we will sell more in algeria in the next three years than the united states. so what are we supposed to do? are we supposed to sit here and just say, oh, it's too hard? >> rose: and if you don't get the business somebody else will. >> somebody else is going to get it. we're down to the point after 130 years that basically we're the only
s relationship in china is good. we've been a good investor for a long time. we've taken a lot of heat here in new york city and washington, d.c. because we've stood tall as good, honest partner with the chinese. but what's also incumbent on you is when you've earned that position occasionally you have to speak up. and i did. >> rose: as you know, when you speak up about china people also say "look at general electric, this great american company. they're exporting jobs as...
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Dec 25, 2012
12/12
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s are women. that and more, tonight on nbr. >> susie: not a very merry day of trading on wall street today. it was a holiday shortened session, and the investors and traders working on this half- day were playing it safe, especially with the fiscal cliff ks
s are women. that and more, tonight on nbr. >> susie: not a very merry day of trading on wall street today. it was a holiday shortened session, and the investors and traders working on this half- day were playing it safe, especially with the fiscal cliff ks
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Dec 15, 2012
12/12
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year showing from a campus shooting in illinois that women who had the risk alil, in this case the s verse of the serotonin transport were more likely to develop ptsd after the same expose sheer than women who hit other vision this is a study showing at their amialas are hyperactivated for those that have this. another ways that genetics is helping us under be stand the neurobuy lodge is for helping us understand how the environment of trauma intersects with biology to put-- leads to differential risk. it turns out one of the higher risk factor of ptsd is child abuse. there are plenty that didn't have but if you have child abuse, hall treatment and abuse will you have a higher risk after adult trauma. we think it's the same sense at thisization process. this particularene is associed wh the strs hormone feedback system. and turns out one version is associate wd increased risk for adult ptsd with child abuse and the other with more resiliences and they also showed this differential gene version predicted differential amigdala response to fear again. >> this idea of the biological mech
year showing from a campus shooting in illinois that women who had the risk alil, in this case the s verse of the serotonin transport were more likely to develop ptsd after the same expose sheer than women who hit other vision this is a study showing at their amialas are hyperactivated for those that have this. another ways that genetics is helping us under be stand the neurobuy lodge is for helping us understand how the environment of trauma intersects with biology to put-- leads to...
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Dec 18, 2012
12/12
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. >> s wantedyou do at? >> she wanted us to do whatever we wanted to do. and it so ended up that we did a lot of what she was doing with her life, you know, we grew up in a family that was very political, not just in terms of being in electoral politics. my mom ran for city council when she was 23 years old before there were single member districts in san anton yom. but also i think going to different civic events. we grew a real civic conscience, i like to say, and an appreciation forow govement can help people in their lives en itork ght, when it's not heavy-handed, but when it works right. >> rose: the remarkable thing su both went to standford, to harvard law school. >> can't get rid of us. >> rose: is that right? but what is that? you are twins, clearly have the same profession, same educational background, same mother. how close are you? >> we're very close. >> and generally in my life i found that twins do one of two things. either they're very close and stay that way or they try hard as they can to distinguish themlvesro one another. and we're the
. >> s wantedyou do at? >> she wanted us to do whatever we wanted to do. and it so ended up that we did a lot of what she was doing with her life, you know, we grew up in a family that was very political, not just in terms of being in electoral politics. my mom ran for city council when she was 23 years old before there were single member districts in san anton yom. but also i think going to different civic events. we grew a real civic conscience, i like to say, and an appreciation...